| << Back 1/7/04 The Skinny on The Skinny By Zach Laminack Hugh Brown, keyboardist for Sylva rock quintet The Skinny, was once punched in the face in a Swain County bar. Its on file, bassist Jeff Redman says from across the booth we are sharing. The lead singer of another band was talking shit to him, and Hugh turned away for a second. When he turned back around, Redman hits in his open palm with his fist, right in the face. Tommy Dennison turns to me, Its a good thing that all of us werent there. But The Skinny isnt a bunch of swaggering braggadocios boasting about their success in bar fights. They arent even arrogant. In fact, theyre atypically personable. Theres so much bullshit that goes along with being in a band, Redman says, and were over that. The longer we sit together drinking cup after cup of coffee, the more I come to believe it. The Skinny becomes what many bands arent — honest. They dont veil themselves in back-patting self-service and they dont try to convince anyone of their greatness. Redman and Mason were in the band Hammerloop before joining guitarist Dennison along with Brown and vocalist Jeremy Hyatt to form The Skinny. Redman, Mason and Dennison described Hammerloop as a college jam-band. I can appreciate jam bands as much as anyone else, dont get me wrong, but its not what were doing now, Redman says. These three make it very clear that their previous experience isnt something they regret. We learn from our experience, Dennison says. Look at all the bands out there doing the same thing. We want to play tight songs that people enjoy rather than going off for half-an-hour. Jam bands can get repetitive, redundant: You end up pulling from the same bag of tricks, Redman says. Dennison nods in agreement. Many bands lose touch with their audience. What we have to keep in mind is what would the listener appreciate? he says. Since combining Hammerloop and Dennisons previous band Oliver Soup, The Skinny has made an effort to get away from their jam-band origins and into a new style. Tommy described the bands sound as a mix between the Black Crowes and Widespread Panic, only to be met with resistance from across the table. Widespread without the jam element, Mason says. They chuckle. The band cites the area as the driving force behind the change in their style. Its a tough place to have a band, Redman says, speaking of the counties west of Asheville. Bands in this area have to work doubly hard. Hes right. There are few venues and little publicity for bands in the western counties. Asheville is full of places to play, but also full of bands; and according to The Skinny — exclusive. They tend to shy away from bands out of the area, Dennison says. If Asheville closes the door to westerners, the Skinny has to work even harder to keep their name in the minds of listeners and promoters. Theres a difference between art for arts sake and commercial art, Redman says. Its difficult to do what you want and still be in a popular band. We dont have to go as lowball as Britney Spears, but we have to play music that appeals to more people than us. And that doesnt seem to be a problem for The Skinny. When the first note is hit my adrenaline kicks in so hard it feels like Im going to float off the stage, Dennison says. I love to convey our energy to the audience. Its a perpetual cycle, Mason follows up. We get into it when we see them getting into it. So get into it. Catch The Skinnys first note at the Rusty Lizard Bar and Grille at the Jackson Plaza in Sylva on Friday, Jan. 16, at 10 p.m. |
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