Two
or three times a year, writing these reviews, I feel as if I have
just opened a refrigerator to take stock and found several items
that will spoil unless eaten immediately. These plastic wrapped
plates of food never go together: a pork chop, two hamburgers, some
wilting salad, chicken and pea casserole, a kiwi so soft that you
know it will go mushy at the first attempt to peel it, grapes that
need picking to sort the few good ones from the spoiled ones.
This week I opened my literary refrigerator and found three books
that needed reviewing before they also spoiled. I had read all three
for the purposes of review, you see, but other books and interests
keep pushing these out of the way. Its time to clean these
three away so I can go shopping again and find something fresh.
Sorrell And Son by Warwick Deeping.
Penguin Books, 1926.
Out of print — limited availability.
Sorrell And Son
First onto the table is the oldest of these books, Warwick Deepings
Sorrell And Son. Originally published in 1926, Deepings
novel offers the story of an officer and a gentleman who returns
from World War I to find himself financially ruined and deserted
by his wife. Forced to raise his 11-year-old son, Kit, by himself,
Sorrell struggles to find decent employment and a way to provide
for his sons education. Eventually, he lands a job in a new
hotel, where by thrift and by the ministrations of a manager who
values him for his work and spirit, Sorrell reaches his goal of
seeing that his son enters into a professional life.
The well-written tale was interesting for me on at least two counts.
First, Deeping gives us a portrait of an England that is ceasing
to exist. Immigration, 75 years of class leveling, and a rising
sort of Cockney boorishness among the English lend this novel of
public schools, tea, uniformed maids, and the proverbial stiff upper
lip a sort of quaint, antique reverie in regard to the English soul.
Near the end of the book, Kit meets an old derelict who moves along
after a brief but pleasant conversation. Seeing Kits fiancé
approaching, the old man glances back at them:
He turned about for a moment to observe the coming together of
the two. English people, his people! By love, some girl too: moved
as though corsets — and all tight constraints — were
things of the past!
This paragraph illustrates the peculiarities of Deepings style
— he loved the dash and the exclamation point — as well
as his ideas about England and about a time in which all tight
constraints had been removed. Like many who celebrate the
removal of constraints — Kits fiancé spends several
pages of the book berating marriage before marrying Kit, and Kit,
a physician, ends the book by giving his grievously ill father an
overdose of morphine without asking the dying man whether he is
indeed ready to depart this world — Deeping couldnt
see the future very well, not even the future of England as so blithely
predicted in the book. What would he say, I wonder, of England today?
Would he still approve those loosened constraints?
Tishomingo Blues by Elmore Leonard.
William Morrow, 2002. $25.95 — 320 pp.
Tishomingo Blues
Elmore Leonards Tishomingo Blues offers a whiff of
stale air to readers who have read more than two or three of his
other novels of the past 15 years. Dennis Lenahan is a high-diver
who brings his act to a casino in Tunica, Miss. Here he witnesses
a murder, becomes involved with the Southern Mafia, and becomes
acquainted with Robert Taylor, a black man from Detroit who has
come to Tunica to take over the drug trade from what he dubs the
Cornbread Cosa Nostra.
Leonards story has the trademarks of the author — the
sharp dialogue, the machinations of various characters, a feel for
place — yet his depiction of rednecks, like the
plot itself, is ridiculous. Both Taylor and the boys in the Cornbread
Mafia plan to murder one another during a Civil War battlefield
reenactment. Why would Taylor go to all the trouble of procuring
Civil War uniforms, wheedling his way into the performance, and
then persuading Dennis to go along with him to take over the drug
operation? If the Mississippians whom he is fighting are such dunderheads,
why not just whack them some dark night?
Tishomingo Blues is slower in pace than many of Leonards earlier
novels, stereotypical in its depictions of race, an insult to southerners,
and silly in its conclusion.
The Life Before Her Eyes by Laura Kasischke.
Harcourt, Inc., 2002. $24 — 288 pp.
The Life Before Her Eyes
On the other hand, The Life Before Her Eyes is an intriguing
and mysterious novel that has the impact of the movie The
Sixth Sense. Diana and Maureen, best friends, are talking
and preening in the restroom of their high school when suddenly
they hear shots, the door bursts open, and one of their classmates
carrying a gun gives them a choice: Which one of you girls
should I kill?
The novel then becomes a meditation, as if we were inside the mind
of Diana on a sort of fastforward track, on what answer she will
give to this question. We see her past life with Maureen, with her
mother and father, with various boys. We also see the future that
she will gain or lose with her answer — her husband, her beautiful
daughter, her life — and we understand what is at stake not
just for her, not just for Maureen, but in many ways for each of
us in the daily decisions, large and small, that we make.
Laura Kasischke has written a jewel of a book in The Life Before
Her Eyes. She shows us what it is to be a teenage girl in these
times better than most writers; she gives us a vivid idea of how
the past may intrude in so many ways on our present, and she has
created a book that echoes even at the end with mystery. This is
one that I plan on rereading someday in the hope that I will better
understand both the plot and its meaning. It is a haunting, rich,
and beautiful story of love, friendship, and choices.
(Jeff Minick lives Waynesville and can be reached at saintsbookco@aol.com)