Hope to Die, by Lawrence
Block.
New York: William Morrow, 2001.
$25 — 336 pages.
Good things come to those who wait.
Fans of Lawrence Blocks detective, Matt Scudder, are familiar
with the truth of this aphorism. We bide our time, sometimes for several
years, and then suddenly a new Scudder saga appears to bring a few hours
of special enjoyment to our lives.
Blocks latest novel is Hope To Die, and Scudder is back
on the streets of Manhattan. Older and a little slower — hes
61 now and offers a few quips about his age — he nonetheless is
the same Scudder, still making the AA meetings, still in love with Elaine,
still seeing TJ and Mick and Danny Boy. He reveals in this book more
of his interest in music; he and Elaine are at an appreciation dinner
and concert as supporters of the Lincoln Center when the first murders
occur. He is also a tamer version of the hardened loner portrayed in
such books as Eight Million Ways To Die, a natural progression
of character development which Block has put together well over the
course of the last few books.
In Hope To Die, Bryne and Susan Hollander are found murdered
in their West Seventy-Fourth Street home. As police begin investigating
the murder, the bodies of the killers turn up in Brooklyn, a murder-suicide
that allows police to close the case. Lia, the Hollanders niece,
nonetheless finds aspects of the case disturbing. She contacts Scudder
with the idea that whoever did the murder needed both a key and the
code to the burglar alarm, hesitatingly pointing out that Kristin, the
Hollanders daughter, had both.
Within a short time of investigating Kristin, however, Scudder decides
that she is innocent, but that there is a third man involved in the
murders. Here the reader enters Lawrence Block territory at its finest,
with suspicion shifting from one person to another. A psychiatrist,
Dr. Nadler, becomes a primary suspect until Scudder learns that he was
out of town at the time of the murders. For a brief time Lia becomes
a suspect, but then circumstances clear her of any wrongdoing.
In the meantime, we learn the murderers feelings and activities.
Block gives a chilling picture of a man who originally murders for money
and property, then finds that he enjoys it. Blocks portrait of
this man, who goes by the name Arden Brill in this book but uses aliases
so that we never know his real name, will remain vivid for readers if
only because we see a personality that views the world as existing for
his pleasure alone. It is a terrifying view of a human being whose idea
of life maybe summed up in the single word I.
What makes the Scudder novels fun for readers is not simply the suspense
but the characters and background that help shape Scudders life.
In Hope To Die, Scudders ex-wife has died from heart failure,
and at her funeral we get an in-depth look at his two sons, one of whom
has turned into the sort of thief and con-artist that Scudder encounters
on the street. From Block we also learn something about police techniques
and the way that the police work on such a case.
Blocks voice as Scudder is also a pleasure for the reader. Here
is Scudder talking about TJ, the street kid who moves from hip-hop
jive to the Queens English, turned out one day in baggy shorts
and a Raiders cap and the next in a Brooks Brothers suit.
And lately has been spending a lot of time at Columbia, where he dresses
in khakis and polo shirts and just walks into any class that looks as
though it might be interesting. You cant do that, not without
registering and paying an auditors fee, but its a rare professor
whos got a clue as to who does or doesnt belong in his classroom,
and the few who do catch on are tickled at the thought that someone
wants to hear what they have to say even if hes not getting academic
credit for it.
Im not sure how much I trust Blocks observation about professors
not knowing their students. I tried this technique at the University
of Virginia once, walking into a writing class, and didnt find
the professor at all tickled by my desire to hear what he had to say.
Readers may discover a few other points to criticize in Hope To Die.
The motive for the Hollander murders seems vague; the reader never gets
the sense that the killer really cared that much about acquiring the
Hollanders house and money. Arden Brills attempt to fool
police into thinking another murder is accidental — he maces the
victim, then drowns her in a bathtub — is silly and beneath Brills
intelligence. Finally, the ending of the book is somewhat dissatisfying
in terms of the resolution of the murders.
But these are minor quarrels from a Matt Scudder fan. Block, who has
written more than 50 books — readers may be familiar with his Evan Tanner
series as well as the popular Bernie Rodenbarr mysteries — is a prolific
writer. Scudder readers may surely look for more books down the road.
(Jeff Minick lives in Waynesville.)