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11/13/02
Searching
for a balance among some hard truths
By
Dawn Gilchrist-Young
A
few weeks ago, as I turned into the narrow road that leads to my house,
a quietly deranged (or maybe just quietly enraged) young man in a
pick-up truck blocked my way. For a few moments, he insisted that
he could not let me drive to my house. His reason, he said, was based
on the sign just before my road that reads, No Outlet.
I convinced him to move his truck and let me drive by, and he disappeared
down the road, though I do not think his troubled mind was eased.
I know mine wasnt.
Following this strange experience, and after locking my doors, I started
thinking about the young mans behavior, how it seemed in keeping
with troubled times, and I connected it, in my English-teacher way,
to the French philosopher Jean Paul Sartres play, No Exit,
with a similar title and a similar theme. The main character says
it plainly: Hell is other people. Yet I do not believe
this, just as I did not believe that I could not peacefully convince
the young man to let me enter my own driveway. I do, however, believe
we have to be aware of our flaws as well as our virtues in order to
live well with other humans. Rather than read and think about what
we do to each other, I would rather concentrate on what we can and
should do for each other, as individuals, as communities, as nations,
and as international neighbors. As Pablo Neruda admonishes the reader
in Sonnet LV of One Hundred Love Sonnets:
Eyes squeezed shut in love dont help, nor soft beds far
from the pestilent sick,
from the conqueror who advances, pace by pace, with his flag.
For life throbs like a bile, like a river; it opens
a bloody tunnel where eyes stare through at us,
the eyes of a huge and sorrowful family.
This poem is about love for humanity as well as romantic love. It
is also a poem my students will read next week in their study of
the literature of love. As members of Nerudas huge and sometimes
happy, sometimes sorrowful family, my students will
read this poem and, I hope, discuss the responsibility humans bear
for each other, and how culpable each of us is concerning human
suffering. Before they read Pablo Nerudas poetry, they will
learn about his background and a little about the history of his
country, Chile, during Nerudas lifetime. While they read and
research, I hope they will make connections between Nerudas
world and their own. Many of these connections, particularly about
love and fear, relationships and passion, life and death, will be
of the universal variety. But some of these connections will be
more specific, and some of them will reveal an unpleasant connection
between Nerudas country and our own. I want them to see and
understand these connections, but I want them also to understand
that progress can be made, and that progress lies in rectifying
ones mistakes.
Other students will begin reading Elie Wiesels autobiographical
Night, and, again, before they read, they will do research. In the
case of this research, they will look at World War II and the Holocaust,
and they will see their own country reflected in a positive and
heroic light, as the rescuers of the victims of Nazism. As they
read I want them to consider the similarities between the young
Wiesel and themselves, and to see their hopes and dreams in what
he has written about his own. And as they continue to read and near
the books end, they will see Wiesel liberated from a death
camp when he is beyond hope, and it will be American soldiers who
are his saviors.
They will also do extra readings that raise worrisome questions,
such as why the U.S, Great Britain, and Russia waited so long before
liberating the camps, and why the U.S., along with other countries,
turned away a ship filled with Jewish refugees, sending them back
to certain imprisonment or death. Again, the issues raised are not
always pleasant or flattering to us as Americans, but they are necessary
in forcing us to think about what we owe one another, and what we
owe the world in terms of who is responsible for whom, and to what
extent.
Even if teachers have at their intellectual and physical disposal
the words that might inspire students to think for themselves, to
ask the hard questions, they still have the difficult task of making
those words relevant. After all, W.H. Auden tells us, Poetry
changes nothing. And in America, where poets earn minimum
wage teaching composition and creative writing in universities,
and who publish their own poetry as a side, poetry does change very
little, because its so little read. But Auden, whose Poetry
changes nothing is often taken out of context, also admonished
teachers NOT to teach poetry with a capital P as a pastime
for dilettantes and snobs. As for those who would question the value
of words, and, in particular, words used creatively in the form
of a poem, Auden tells us that if ... [poetry] sometimes gives
us escape, let us be grateful, for we all need a certain amount
of escape, just as we need sleep; but [poetry] also tells us the
truths which we are too busy or too ashamed to see. Because
words can force us to see unsavory truths about ourselves, and make
us see the cause for shame, they actually can foment change. So
I continue introducing myself and my sometimes reluctant, sometimes
eager learners to the words spoken by unfamiliar people from unfamiliar
times in parts of the world foreign and often inhospitable to ourselves.
I do so because I believe I owe my students every means possible
in finding their own answer to the question of what one person owes
another.
The ancient Greeks, whose civilization provides the underpinnings
of what is most valuable in our own, believed that the study of
truth, goodness, and beauty were necessary to produce the best citizens.
They also knew that, in order to arrive at those ideals, the other
side of the three ideals must also be examined. Luckily for teachers
in this century, rather than creating our own truth-seeking curriculum
(as did Socrates) and thus acting as a gadfly to our society, (and,
as a consequence, being forced to drink a draught of hemlock, though
committee meetings may be the equivalent), we instead have all the
previous centuries writers and their truths to draw upon,
from Oedipus Rex to Things Fall Apart, from
Sappho to Neruda, and from Homers Odyssey to Maxine
Hong Kingstons Woman Warrior. In all of these
writings, humans grapple with the complexities and brevity of human
life, and so insightful students can always glean truth and draw
necessary connections to their own lives. And in every work, questions
arise about how we relate to others and to whom we are ultimately
responsible.
In the pursuit of the connection between words and responsibility,
another Nobel prize-winning poet, Czeslaw Milosz, wrote these words
in a poem called Dedication in Warsaw in 1945: What
is poetry which does not save/ Nations or people? / A connivance
with official lies ... . The part of this poem that seems
most germane to me is the part that reads, A connivance with
official lies. And its importance to me, as an English teacher,
is that it reminds me that words should help us find what is real
and genuine.
But we live in such a complicated, layered world. How is a student
to find any balance, to find what is true and what is official
[or unofficial] lies when the American president says to the
nation that we are a good country but our better history
books speak of the deadly mistakes of Vietnam? What if everything
weve read and seen depicts capitalism and democracy as the
choice of all free peoples, but even superficial research tells
us that our government was behind a coup that replaced Chiles
legally elected Socialist president Salvador Allende with the military
dictator Augusto Pinochet Ugarte (who was far more sympathetic to
American business interests than Allende)? What about when students
read, on the one hand, the words of President John F. Kennedy that
say, We in this country, in this generation are — by
destiny rather than choice —the watchmen on the walls of world
freedom, and then a few decades later, the words of the Secretary
of State Colin Powell (ironically, the least hawkish
of the presidents advisors) define our new foreign policy
as being that of the bully on the block?
And how can a student make up his or her mind in good conscience
without feeling traitorous when our political leaders vote overwhelmingly
to support an attack on Iraq, but the United Nations equally overwhelmingly
votes against the use of military force? And at this point, how
can students find any balance in our own seeming eagerness for a
war with Iraq (based on its development of weapons of mass destruction,
or based on its oil reserves?) with our careful diplomatic approach
to North Koreas fully developed weapons of mass destruction
(and no oil reserves)?
And, for that matter, what about our own weapons of mass destruction?
After all, we are the only country ever to use atomic weapons on
other humans, even though we justify that use, just as we find moral
justification for all of our actions. The hardest question for me,
at this point, is how much more can a thinking American, even a
patriot, even a teacher of Americas oh-so-impressionable youth,
justify in terms of what we as Americans think is best for the world?
Might the thought come to mind that we are primarily thinking of
what is best for us as Americans, and that, as the richest industrial
country with the worlds mightiest military, we already have
it pretty good?
In a 1953 poem titled Child of Europe, Milosz wrote,
Learn to predict a fire with unerring precision. / Then burn
the house down to fulfill the prediction. These lines, in
my mind, bear a frightening similarity to Americas new foreign
policy concerning predictions and preemptive strikes, and so perhaps
they are lines I wont discuss in any depth in class. This
column has become my forum, but I will not use my classroom for
that purpose. Were I to do so, I would exhibit the same arrogance
as the government — my own government — which I criticize
for forcing its assumptions on the rest of the world. The powerful
position that a teacher holds in the classroom does not lend itself
to politics. I do not want to cross the line between the teacher
who exposes her students to knowledge, and the teacher who forces
on students her own views — most importantly, views not at
all in keeping with those of the majority of Americans (at least,
based on election results). I am afraid that, were I to politically
interpret what I teach, then what Jean Paul Sartres fellow
Frenchman, Charles De Gaulle, once said of America might be applied
to myself, that I might yield in [my] turn to that taste for
intervention in which the instinct for domination cloak[s] itself.
And so I will instead continue to search for something like equilibrium,
and I will try to carefully examine what I read and hear, and then
I will lay before 15- and 16-year-olds what little I know. Maybe,
in my search for the calm of balance and integrity, I might approach
my introduction of world literature and history as the Mexican poet
Octavio Paz suggested his countrymen approached the world —
as something one might redeem rather than perfect. Sartre thought
other people were hell. But General William T. Sherman, a century
before, had already narrowed the definition when he wrote to his
wife, War is hell. Maybe we Americans should pay more
attention to Socrates The unexamined life isnt
worth living, and scrutinize our own lives and motivations
a little more closely as we mass troops in the Persian Gulf. Maybe
what we really owe each other is one more chance for redemption.
It may be the only exit on the road that leads to war.
(Dawn Gilchrist-Young is a teacher and writer who lives in Cullowhee.
She can be reached at youngericyoung@cs.com)
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