At the corner of Depot and Haywood streets in downtown Waynesville sits an old building. Originally a gas station, it was also a longtime mechanic’s shop and later a car wash for a period. But, in recent months, the charming, somewhat dormant 147 Depot St. location has had new life breathed into it.  

Gallery 164 in Waynesville welcomes esteemed woodturner Mike McKinney to its roster of talented artists. In celebration of this exciting addition, Gallery 164 will host a reception for McKinney during Art After Dark from 5:30-7:30 p.m. Friday, May 3, in downtown Waynesville. 

Hello from the Antler Village at the Biltmore Estate in Asheville. It’s 11:34 a.m. The wine bar around the corner will open in roughly 16 minutes. I’ve been at this vast property since 8:30 a.m. when I was pulling up to attend the grand opening of the Chihuly art exhibit. 

“After pop art, graffiti is probably the biggest art movement in recent history to have such an impact on culture.”  

Angelyn Whitmeyer might be the last person you would expect to contribute to ongoing research surrounding a Japanese photographer who found inspiration in the Great Smoky Mountains.

From fine-detailed still-lifes that resemble photographs to wispy mountain landscapes, artist David Berger’s approach to painting is one reaching every type of individual.

Balance, rhythm, and equilibrium are all words that mean so much, yet we as a society struggle to grasp the essential part they play in our lives. In many native and indigenous cultures, the practice of balance remains a focal point in daily life, and it is regarded as one of the most important aspects of the community. 

By Sabrina Matheny • Rumble Contributor | I was visiting the nearby town of Shepherdstown, Virginia yesterday when a zealous young fellow around the age of 5 approached me with an offer that I could not refuse:  he would draw anything I requested.

Raised on a family farm just outside of Greensboro, Jean Osborne was surrounded by hundreds of cows and thousands of acres — a place where she roamed freely and in her own time on her horse. 

During the pandemic, Asheville-based artist Pearl Renken wrestled with the pain, isolation and racial reckoning happening in the United States. Her first instinct during that time was to paint, very literally, the pain she was seeing, the hate that felt abundant.