This must be the place: It’s hard to frown when ukulele music is goin’ down

Stepping into the hotel room, my mother had an odd expression on her face when she looked at me and said, “I got you something for your birthday. If you don’t like it, then you can give it away to someone.”

Chatham County Line channels creative bliss on new album

In its 20 years together, Chatham County Line has organically grown and blossomed into one of the most distinct and progressive acts in the realms of modern traditional string and acoustic music. 

Local musicians turn to live streaming for performances

It’s the hottest show in town, but nobody is allowed in. 

Tucked in the depths of The Gem downstairs taproom at Boojum Brewing in Waynesville, J. Rex & The Gem Rats took the stage for a bluegrass jam last Wednesday evening. 

This must be the place: Ode to Nashville, ode to rebuilding

Being the nighthawk that I am, it was around 3 a.m. on March 3 when I found myself listening to some music and scrolling through Instagram. 

Suddenly, I kept coming across images of a massive storm in Nashville and of a pile of rubble that was once The Basement East music venue in the city.

Another song, another mile: A conversation with Steve Gorman

In any rock-n-roll band, the unsung hero is the drummer. With a soaring singer and whirlwind guitar solos, the person behind the kit is the anchor for the group — holding up the light at the end of the tunnel of a melody in motion.

This must be the place: What a way to ride, oh what a way to go

In March 2011, I was a 26-year-old freelance writer traveling down Interstate 87 in Upstate New York to one of Levon Helm’s Midnight Rambles. The legendary singer/drummer for The Band, Helm held these intimate concerts in his barn-like home, tucked away in the backwoods of the Catskill Mountains. 

This must be the place: Some say you might go crazy, but then again it might make you go sane

Walking up to the Civic Center (aka: Harrah’s Cherokee Center Asheville) this past Sunday evening, the building was buzzing wildly from a sold-out crowd of thousands eager to see Sturgill Simpson and Tyler Childers take the stage. 

That path is for your steps alone: A conversation with Jay Blakesberg

If a picture is worth a thousand words, then the images of Jay Blakesberg are worth a thousand notes.

Initially following and photographing the melodic cosmic force that was The Grateful Dead from the late 1970s onward, Blakesberg has traveled the country and the world over, always in search of these serendipitous blink-of-an-eye encounters and interactions that define not only a scene and a generation, but also a culture and the essence of the humanity — love, compassion, rhythm.

This must be the place: And no matter what may come to shine, the dream will always be mine

I awoke in the guest bedroom and it took me a few seconds to realize where I was. Tampa, Florida, was the destination this past weekend. And there I was amid Gulf Coast sunshine and beautiful chaos only found in the depths of the unknown night. 

Can’t rock my dream face: Joel Cummins of Umphrey’s McGee

For the better part of a quarter-century, Umphrey’s McGee has remained one of the most fundamental and innovative acts on the live music scene. 

Originating at the University of Notre Dame (South Bend, Indiana) in 1997, the band soon called nearby Chicago, Illinois, home. But, the group’s reach has unrelentingly extended in seemingly every direction — geographically and sonically — from the Midwestern musical hub. 

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