Savannah, Georgia-based artist Scott “Panhandle Slim” Stanton was born in Maryland and raised in Pensacola, Florida, but he has been known to pop up in all quarters of these United States, including Asheville — owing to his family’s vacation cabin in Swannanoa.

Barbara Robinson can find artistic inspiration wherever she may be. 

Sometimes it’s looking out over Frye Mountain from her art studio window at home, while at other times perhaps a particular barn she spots while driving through Swain County will pique her interest. Other times it’s a vision in her head that works its way out over time.

In mid-October I attended the second lecture of three at my local library on the Italian artist Caravaggio (1571-1610). A visit to Rome the previous year had sparked my interest in him and his work, and the lecture sent me to the library “Holds” desk where, as the speaker had informed us, he had placed on reserve several books on the painter. Despite having missed the first lecture, and despite the crowd of 70 some attendees at the lecture, I found to my astonishment that no one had checked out any of the books.

Who was Bayard Wootten?

“She was a wonderful, strong North Carolina woman,” said Pam Meister. “She was a skilled photographer. She was a feminist before her time. The more I learn about her, the more I’m impressed with her life.”

It’s about 855 miles between the quiet mountain town of Waynesville, North Carolina and the urban hustle and bustle of Havana, Cuba. 

SEE ALSO:
• An Artist’s Visit to Cuba
• Discussion to focus on Cuba

And yet, when painter Christopher Holt opens up his portfolio one recent morning at Panacea Coffeehouse in the Frog Level district of Waynesville, that distance gets a lot shorter. One-by-one, Holt leafs through dozens of his watercolor and oil paintings, all of which depict the vibrant sounds, scents and sights of the foreign country. The island nation and its people flood his thoughts and words when speaking at length over his recent trip there. 

By Christopher Holt • Special to SMN

When my plane touched down at Havana International Airport to loud applause from the passengers on board, I knew there was going to be something different about this trip.

SEE ALSO: WNC artist visits Cuba in search of its political and cultural meaning in the 21st century

About halfway between Bryson City and the Nantahala Outdoor Center, a small, unassuming building sits alongside the road. The structure is only a stone’s throw from the bustling intersection of U.S. 64 and N.C. 28, and inside Elise Willa Pincu Delfield is at her potter’s wheel, silently spinning magic.

Standing in her Dillsboro studio, potter Zan Barnes can’t help but smile. “If you told me in high school that this is what I’d be doing, I’d have laughed in your face — absolutely not,” the 32-year-old said.

A second-generation potter, Barnes is tucked away in her own little Zen den. Next to her at all times is Zelda, a rescued Great Dane as gentle as she is large. The wooden structure is long and winding, with a low-hanging roof, where blocks of clay, buckets of water, countless shelves and finished items reside — all under a grove of trees, a stone’s thrown from the main house of the Riverwood Shops along the Tuckasegee River.

Two short years ago, Fay Grant was living on the other side of the country, a professional music editor for film and television shows in Los Angeles’ bustling entertainment scene. It was a different world altogether from the sleepier mountain town of Waynesville, where she and her husband Ben now make their home. 

She doesn’t regret the move. 

Something was missing from life in L.A. She wanted to do something different, something that made a difference. So, Grant took a few months off for a road trip across the country, and that drive, she said, “led me to The Tote Project.”

Just mere feet from a bustling South Main Street in Waynesville resides a cocoon of creativity. 

With a steady stream of vehicles rushing by, one enters Jenny Bucker’s studio as if to step into a portal of a calmer ambiance. Vibrant, intricate paintings hang from any available wall space, while the sounds of Simon & Garfunkel’s “Scarborough Fair” echo throughout the cozy abode. Meandering around the rooms, the source of the song is not only located, but so is the person immersed in the melody, who faces a blank canvas ready to be adorned with the colors of the imagination.