Kephart, transplants and the debate over legitimacyWritten by Quintin Ellison
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You can be excused for perhaps having overlooked the recent fireworks, but a minor war has erupted over one of this region’s favorite sons (or, not-favorite sons).
Pick your side.
Horace Kephart, the definitive writer of Western North Carolina history who set up a home of sorts in Swain County and gave us an accurate portrait of the mountaineer as he was then.
Or, Horace Kephart, who wasn’t even from this region. Who gave us a not very accurate portrait of the mountaineer of yore, and, if that isn’t enough to make you dislike him, was a good-for-nothing drunk who suffered a mental breakdown and stranded his family to boot.
I have an unusual, albeit somewhat shallow, interest in these matters. I live in WNC today because of Kephart. My family moved to the Bryson City area in the early 1970s because my parents fell in love with the region while Dad was doing research on Kephart. My father, George Ellison, wrote the introduction to Our Southern Highlanders when the University of Tennessee Press reissued it in 1976.
Other republications of Kephart’s books, and new information about the man himself, have been taking place these past few years. This has set the stage for a bunch of arguing about Kephart’s importance, the value of his books, and so on. My Dad hasn’t been part of that, best I can tell. He just keeps working on the material. And there’s been a lot of it to plow through, because the Kephart family is providing boxes and boxes of previously unexamined documents.
Here is the central argument of Kephart’s detractors, though they aren’t necessarily as direct about it as I am in this rephrasing: Kephart wasn’t from here. Thus, he had no right to portray the mountaineer at all. Only those born and bred in these hills, with roots that go back for generations, have a right or the ability to write about the people of these mountains. Everyone else is an outsider and doesn’t “get it.”
Phooey. I’m not from here, yet I maintain I’ve got a perfect right to portray whomever I want to, whenever I want to, how I want to, in whatever form I desire. Fiction, nonfiction, newspaper or magazine articles, columns, whatever interests me in a given moment as a writer. Who is going to stop me, pray tell? And if I do write about this region, what gives someone else the special insight to say my writing lacks value simply because I’m not born and bred of the hills?
I was born in Richmond, Va. If I abided by the underpinnings of this anti-Kephart argument, I would only write about people from Richmond (of which I know nothing, since we left there when I was six months old).
The argument is specious at best, and arrogant at worst. Let’s take it one step further, and the lack of logic becomes clear: Henry James wasn’t from Europe, so he shouldn’t have included Europeans in his novels. Ridiculous.
Joseph Conrad was Polish, so he shouldn’t have mastered English and written all those masterpieces, and about British people, for goodness’ sake.
Sue Hubbell, my current favorite nonfiction writer, hails from Michigan. Shouldn’t have written all those great books about living in the Missouri Ozarks, Sue.
Here’s the other angle of this anti-Kephart fervor. Not being from here, Kephart just didn’t understand — he overemphasized the moonshining and illicit behavior, and underemphasized the refined dignities of the mountain people.
Maybe. Maybe not. That’s the neato thing about being a writer. You get to emphasize whatever interests you. And Kephart was very interested in moonshine. How it was made, and how it tasted. He spent a lot of time sampling the local offerings, and clearly became something of a connoisseur.
Additionally, if we are going to condemn every drunk who was a writer, say farewell to William Faulkner, F. Scott Fitzgerald, Tennessee Williams, Eugene O’Neill, Ernest Hemingway and plenty of others who found their muses in the dregs of wine cups and beer bottles. Kephart apparently often found his floating around near the bottom of a moonshine jar. So what does that prove about the worth of his work? Not a thing.
He was probably a lousy father and husband, but again, what in the world does that have to do with the quality of his writing, or his portrayal of Southern Appalachia? Not much.
A good place to take in the this-side and that-side of the great Kephart debate is www.tuckreader.com, a valuable recent addition to the local news scene. Check out the battle of words (both are being ever-so-courteous) taking place between Jim Casada and Gary Carden, both fine regional writers born and raised in WNC. Jim is from Bryson City, Gary from Sylva.
Better yet, read Kephart’s books and make an independent determination of your own.